We’ll have four intimate, hour-long virtual concerts:
May 2: Diderot String Quartet will launch the season with From Russia with Love: String Quartets for Catherine the Great. You will be introduced to the composer Anton Ferdinand Titz and have the opportunity to enjoy a string quartet by Haydn.
May 23 & June 13: Harpsichordist Aya Hamada’s Portraits et Caractères: Couperin, Rameau, Duphly will be complemented by Peter Sykes’s Byways and Backwaters: German Harpsichord Music Not by J. S. Bach.
June 27: The final event, Plein Jeu, will introduce two virtuosos: Martin Bernstein, recorder, and Justin Taylor, harpsichord, sharing music ranging from Louis Couperin and Jacques Boyvin through François Francœur and Jean-Baptiste Forqueray.
We’ll also have three Sunday afternoon free virtual lectures:
February 14: Louise Basbas with Henry Lee—Forty-five Years of New Performances of “Music Before 1800”
March 7: Tina Chancey—Machaut Meets Fairbanks: Making Early Music Scores for Silent Films
April 11: Susan Hellauer with Clifton Boyd—Jim Crow and Zip Coon: Racial Stereotypes in American Popular Music
To be sure, the immediate and long-range future will have familiar and new elements but will include both live and virtual components. For MB1800 that means the full spectrum of repertoire, beginning with medieval music. We look forward to engaging wonderful artists whose events were cancelled in the upcoming seasons: Machaut by the Czech Republic’s Tiburtina, Ockeghem by Boston’s Blue Heron, Christmas music from the Western Hemisphere by Houston’s Ars Lyrica, and The Hunchback of Notre Dame (Lon Chaney, 1923) with a medieval live music “soundtrack” by Tina Chancey’s Hesperus.
The board and staff have been hard at work and are committed to the future of the series. The budget for the 46th season is lean and without frills. Earned income from ticket sales will be greatly reduced so your personal contributions as well as foundation, city and state funding are crucial. Your support is our lifeline, enabling us to continue working and to create these events.
Tickets for our virtual four-concert season will go on sale in March 2021. In the meantime, save the dates and consider endorsing our work with a coveted donation.
(Updated March 2021)
We regret to inform you that the three remaining concerts of the season, scheduled for March 19 (Aya Hamada), April 2 (Peter Sykes), and April 19, 2020 (Juilliard415 and Robert Mealy), have been canceled due to COVID-19. We are deeply saddened and disappointed by the situation. However, the safety and well-being of our audience and artists are our top priorities.
If you have ticket(s) to any of the three concerts, we offer the following options:
1. Donate your ticket(s). Your generous support is crucial to our mission, especially during this unprecedented challenging time. We will send you an acknowledgement for your tax-deductible contribution.
2. Request a refund to your original form of payment.
Please email us at firstname.lastname@example.org or call us at 212-666-9266 no later than April 30, 2020 with your response. We anticipate beautiful performances by Aya Hamada, Peter Sykes, and Juilliard415 in a new season when we can all once again enjoy public concerts of music before 1800! Thank you and we look forward to seeing you soon.
We pleased to announce our 2019-20 season, a delectable assortment of concerts with music from the 8th to the 18th centuries, from Sequentia’s diverting and witty Charms, Riddles and Elegies to Peter Sykes’ Byways and Backwaters: German Harpsichord Music Not by Bach! Subscriptions go on sale May 15 and single tickets mid-July.
Sunday afternoon concerts at 4 p.m.
Corpus Christi Church, 529 W. 121st Street, Manhattan
October 6: ACRONYM—Cantica Nova: Discoveries from Uppsala’s Düben Manuscripts
October 27: Cappella Pratensis—Jacob Obrecht’s Missa Maria zart
November 17: Emi Ferguson with RUCKUS—Fly the Coop: Bach Sonatas and Preludes
December 22: Blue Heron—Christmas in 17th-Century Germany: Music by Michael Praetorius, Samuel Scheidt, and Others
January 19: Sequentia—Charms, Riddles and Elegies of the Medieval Northlands, 8th-11th Centuries
February 9: Stile Antico—Breaking the Habit: Music by and for Women in Renaissance Europe
February 23: Academy of Sacred Drama—The Victim of Love: Oratorio by Gianettini
April 19: Juilliard415 with Robert Mealy—The Invention of the Orchestra: A Tale of Two Cities—Corelli’s Rome and Lully’s Paris
Thursday evening concerts at 7 p.m.
The Kosciuszko Foundation, 15 E. 65th Street, Manhattan
A Harpsichord Festival
March 5: Byron Schenkman—Scarlatti and Frescobaldi: Masters of the Italian Harpsichord
March 19: Aya Hamada—Portraits et Caractères: Pieces by d’Agincourt, Couperin, Rameau, Forqueray, and Duphly
April 2: Peter Sykes—Byways and Backwaters: German Harpsichord Music Not by Bach—Works of Mattheson, Krebs, Graupner, Böhm, Marpurg, et al.